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no room for hipsters

the occupation of Ashley and Levon

Tag Archives: knoxville

 

Just wanted to show some progress to get a little affirmation.  Ashley has already forgotten me.  She wants shelves in her studio, screen doors, flooring, and the bathrooms painted too.  I’m a week away from finished and this project is already last year.

We’re pretty excited about the Chinese New Year Party later tonight in the neighborhood, following a Shape Note Singing documentary some friends are showing.

Fifty degrees and Sunny in Knoxville.

Best recent google search engine terms which led people to our blog: “army mexican girls”  ”how long will it take me to get to pocahontas correctional center west virginia from virginia beach virginia” “are c.c. and j.n. dating?” “bill evans scuba”  ”marriage is for hipsters”  ”forgot to pee”

Gotta go now, can’t leave my wet edge.

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Ashley and I fit a 10X8 tent, a couple wooden tables, an easel and a plastic crate full of crafts into the Corolla most Saturday mornings.  After that we shove paintings and wood blocks into the crevices before jumping in the car and trying not spill the first mug of coffee or slam a canvas in the door.  We’re always the last to arrive at the downtown farmers market and find our spot easily because it is the one without a tent.

Levon and Knox

I park the car and go home to make more coffee, because that is no way to enjoy the first, then grab my guitar and an accordion in today’s case before making the second trip to the market, in which could no way be consolidated into the Corolla load of the first.  Knox Janowick joined me today and we did a repertoire consisting mainly of Josh Ritter and Tom Waits with he on the ukelele.

I borrowed the accordion yesterday and I regard it as an instrument of it’s own, but if you can get used to pumping air and not seeing your hands on the tiny sideways keyboard the black and whites can be considered the same.  In a moment of boldness I went into “Rocket Man” and later wished I hadn’t.  We made about $8.47 and a box of grapes.  Knox bought his kids ice cream with his cut

Jaden, hipster child. (no room for baby hipsters either)

and I may invest mine this week in white acrylic paint.  Gotta keep Ashley happy.

Ashley stayed posted at the tent and I brought her buttered bread samples.  The salsa guy across the way was pretty good but next year I think I’m going to go for him.  I make mine with squash and it’s harder to get it spicy. When faced with a guy trying to sell you a $5 mason jar of salsa AND a $5 CD what are you going to say?  If it were me I’d feel the need to take both as to not insult the other.

By the way, I finished an EP yesterday.  Kinda excited to feel finished with something.  Click “hear Levon” above and have a listen.

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[ from a. addair who is listening to Beck (Odelay) ]

When I put an art workshop on the calendar I feel anxious.  I’m pretty sure it stems from a lack of confidence or validation.  As I’m inviting people via Facebook I’m thinking, “This is shameful.  Why should I be teaching anyone about painting?”.

It is from this place that write.  First, I am self-taught.  I feel the need to make that explicit.  Second, I don’t intend to “teach” anyone anything…as “teaching”, in our culture, has come to mean something bureaucratic and one-sided.  Rather, I want to invite you to come over and play with me.  If you are new to painting, I will share some approaches to entering into the art-making process.  If you have more experience, then the workshops are meant to be an opportunity for painting outside of your own art-making patterns and routines.  No accreditation, but valuable for those interested.

because a real professional would not post this picture of herself

And to be a bit more concrete, I’ll share an outline of a previous workshop, “Making Art from Knoxville”, which focused on allowing a sense of place to enter the painting process.

Objective:  To allow and encourage participants to find their immediate vision and personal language of contemporary experiences rooted in place.

Method:

1.  ask questions in order to enter into the objective(participants free write):

Where do my interests lie today?

How are these interests influenced by my surroundings?  by people? nature? buildings I live in?  work in?

What remembered images most interest me?

What sorts of images am I most exposed to?  on TV? in books and magazines? on the computer? advertisements?  within my environment?

What questions am I pondering?

(There are more, but you get the idea)

2. participants look through books of images, taking note of the things they connect with

3.  free write: How do the selected images connect with my interests and daily experience of living?

4. prompt: form a question from the last free write (something you find troubling, interesting, energized by, etc)

5.  prompt: allow this question to remain open as you paint about and within this question.  Admit doubts and explore explanations.  Use the imagery that resonated with you as starting points for visually processing the question.  (At this point I ask participants, and myself, to be present and aware with the act of painting and to trust the initial intellectual work by turning off their censors and operating out of instinct.

That is an abbreviated version and, of course, things went delightfully non-linear as I had an eager and engaged student.

I write this to ease my anxiety over being assumed an expert and also to give you more knowledge about what to expect if you are thinking of joining me for the upcoming workshop on October 5 : Making Art from Science.

Oct 5 art workshop flyer (click here to learn more)

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[ from a. addair who is listening to Spoon (Ga Ga Ga Ga Ga) ]

Good Packaging subscribers received their boxes this week.  We’re going to continue the discussion with periodic blogs on the subject, so here is a little peep show of what they got, so you can be in on the conversation.

title sheet. fabric on tea-soaked paper.

summer 2010 letter:

dear Good Packaging subscriber,

Once again, we want to thank you for your subscription.

We present to you, with lots of love, the summer 2010 issue: HOME.  We decided on this theme, together, with our collaborator of the issue, Lindsay Winters.  Being interested  in the ways a rich community life fosters peace, Lindsay is intrigued by the concept of HOME: how it functions individually as well as corporately.

the HOME icon collaborative art object of the issue. (if you're interested in subscribing to Good Packaging click the link on the left-hand column of this page or visit ashleyaddair.etsy.com)

Our hope is that this issue gets you thinking about HOME (sometimes this is a tangible place, sometimes not).  Because a comception of HOME seems to be the point of reference for us humans, when we articulate our questions and understandings about where we center our lives (and why), we can go about the work and pursuit of our values with a sense of greater clarity, peace, and focus — making our shared HOME (Earth), a kind of HOME sweet HOME.

the packages. some components will be available for individual purchase at ashleyaddair.etsy.com (click image to go).

We wanted this issue to open in layers, just as the geography of a place is discovered.  Here is a brief explanation of what you will find:

[HOME]     cover sheet

[a  question and space]     write on this.  get your thoughts out.

processing page.

[a collection of images]     continue processing the question through imagery.  pay attention to the images that resonate with you.  how do they align or conflict with your conception of HOME?

[HOME icon wall hanging]     the collaborative art object of the issue (good for shelf-sitting too).  rest the wire picture holder on the ledge of the HOME icon to display one of the provided images (or make your own on the blank canvas card or display an image you already have)

[music by Levon]

[science sketch on log cutting]  from a collection ashley created (and levon cut) upon returning to Knoxville, Tennessee (HOME, in a sense).  about aligning traditional cultural definitions of a place with personal and present experiences.

[a word after] questions, thoughts, and an invitation to join further discussion.

mi casa es su casa,

ashley addair and levon walker

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[ from a. addair who is listening to Lucinda Williams (Lucinda Williams) ]

painting-based art workshop is today. 6-8 pm. click the link "art workshops" to learn more. you should come. also, you should let me know that you are coming so i can have your canvas ready.

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[ from a. addair who is listening to Wayne Shorter (Late Night Jazz, Volume One) ]

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[ from a. addair who is listening to Michael Hurley (Have Moicy) ]

“Love is first.  Love comes before knowledge and even before acts of the will.”  -F. Gonzalez-Crussi

Finished a painting today.  First experiments of painting with a pallet knife; it reminded me of making mud-cakes.

As I worked on this one I thought about why I paint and why it matters.  I haven’t arrived at a reasonable conclusion.  But because I love it, I’m still painting.  And that got me thinking (along with Gonzalez-Crussi) about how actually, love is really the basis of most of our actions.  Everyday we make minor and not-so-minor choices bases on our likes and dislikes.

And then that got me thinking about how if we were to address that basic love/hate level within ourselves (and extending out to our culture), then getting better could actually happen.  And maybe even without the help of bureaucracy (it seems to me that many good ideas get stale, and even toxic through this process).

there should be a picture of the painting here. but we still don't have internet at our house and i forgot the camera at home. i'll post it later this week.

I wonder if we all had the freedom, the opportunity, and the courage to do what we love with most of our energy–even if it is as inconsequential as playing in colored mud–if we might make better choices and fruit for the benfit of ourselves and our collective health.

Perhaps I’m being too simplistic.  Or maybe, as an artist, I’m on a self-absorbed and justifying stretch for validation.  Maybe none of it actually matters and I should go get a job that the bank recognizes; hobbies aren’t subjected to such scrutiny.

Maybe.  But I just can’t let go of the feeling that painting deserves my attention and that I should try my darnedest at making room for it.

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[ from a. addair who is listening to  Lucky Boys Confusion (Growing Out Of It) ]

Having a home base is allowing us to launch some rousing new ventures…

inside 1241 Armstrong (home base). we're thinking of renaming it the A&P Institute.

Introducing ① the Simplicity Project and ② Making Art from Knoxville: a painting-based workshop.

Click to see the flyers:

simplicity project flyer

art workshop flyer

And help us propagate the news.

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(from addair)

The following is a letter to a friend about the prospect of stirring up a rebellion.  I thought I’d share it with you all as an opportunity to get more feedback:

 

to start out very generally, i’ve been increasingly aware of the preciousness and brevity of life. and though i’m wracked with conflicts about larger purposes and the apparent hopelessness of history. i dont see any sense in letting that fool me into inertia.

i say all that to say that i’m very ready and determined but still open and often unsure about the specifics.

DSCN0073

a painting exploring the matter

 

 

since so much of what i feel dissatisfied with and often enraged about deals with intangible attitudes and in the realm culture, i feel like the only way to affect authentic and durable change will be by empowering people to change at a homegrown level. i hope that government policies will swiftly follow, but i think we have to win in our collective mindscape to make any real progress. i feel like if people are justly informed and then empowered to be fully human and restored (or at least made aware of) their rights to pursue actual liberty, change would occur.

i know thats a really wide-scope view of the problem. which leads to the question, “what is the problem?”

in my opinion, they are (i know you’re well-educated on these issues, so i’m just keeping it to bulletin points, but of course its more complex than a list):

1. detachment from and disregard for our environment

2. consumer culture and our economic structure

3. disregard for social justice (especially issues of class and us foreign policy)

DSCN0075

painting detail

 

 

i didn’t outline all of the implications of each because i’m assuming you understand and that we are, for the most part, on the same page. but let me know if i need to clarify any of my thoughts.

as part of stirring up a culture revolution, i’d like to emphasize the interconnectedness of these issues and the extent to which they influence our lives.

currently, i’m thinking on what i can do to challenge and change the parts of the status quo that are unjust and unsustainable (outside of my personal choices). i’m almost embarrassed to say that my idea, so far, is as simple as gathering people.

i’m hoping that this will only be a beginning and is not meant to be the entire goal result, but i think what we need most right now is for people to be informed and empowered to take direct action.

obviously, there are lots of avenues to do this. but as i’ve pondered my own role in this shift its evolving as art happenings of a sort.

so, im thinking i want to start working on a series of paintings addressing the above (i know i need to make it more concrete but i’m not quite there yet). have levon work on a collection of songs. have some speakers, interactive installations, and some collaboration and/or involvement with some groups or individuals that are already working toward similar goals.

DSCN0078

painting detail 2

 

 

the aim would be to inform, empower, and provide avenues for action. i’m ready to take our culture and my life on my own terms and i want to encourage those that are already working toward that and to free those trapped in readymade identities and lifestyles.

is this making sense? i know it’s not the entire solution, but i think mobilizing warm bodies is the start.

 

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